Bald Soprano Research Paper

Now these people with no concrete definition to their being are to live in this gigantic world to the best of their ability. Their lives aren’t normal ones. Ionesco brings out the absurdity in his characters by excluding any solid foundation or motivation for living on earth. One very important form of guidance on life’s journey is Time. If there was no concept of time then all chaos would ensue and no one would know when anything is to be done. It is also a key factor to know how to live and work alongside time: to work with it, not against it. Will they be able to live in some sense of normality or will they be off on their own supernova to be absurd for evermore. Through the use of symbolism, irony and dialogue, Eugene Ionesco’s, The Bald Soprano conveys the idea that life is a never-ending cycle to express the absurdity of the human condition. The cycle of life is symbolized through the clock to reveal that the characters are stuck in an endless loop of time. The clock seems to take on a life all its own. It seems to decide when it wants to ring and how many times. The clock rings in a way that is quite shocking to the audience. This is because in the real world a clock does not normally ring 17 times. Nor is it normal for it to shoot out random times that don’t even go in order. In only one moment â€Å" The clock strikes seven times. Silence. The clock strikes three times. Silence† (The Bald Soprano 2). There seems to be no set regimen for time to follow. Time in the play is unorganized and almost absent in its common purpose. In no possible way could these characters even have the smallest possible chance of some normal routine when they have no constant to guide them through. Yes, Time is present but it is not the way in which we calculate it. There is no repeating pattern in this aspect and yet it still proceeds on which causes an endless loop of lunacy from which they cannot escape. The peculiar thing about it is the characters are not even finding it odd, as this is their notion of normalcy. In the play â€Å"the abnormal is treated as if it were thoroughly normal† (knowlson). And its funny because they don’t even realize that it never rings the same way or goes in a repeating pattern. The clock is random. It intrudes illogically. There is no logic in the Smith’s lives. The concept of reality is being distorted and no ounce of sense remains. The characters are flat, broad and general, which clearly emphasizes the absurdity of the human condition: trying to find a meaning and purpose to life. Even the primary characters last name, which is Smith, is so plain and typical. The plays cyclical structure accentuates repetition of the illogical happenings in the incompatible world in which the Smiths, Martins, the Maid and the Fire Chief live in. The play includes a â€Å"circular trajectory that ends where it began† (Kraus), thus causing the whole disordered cycle to start over and where the characters are involuntarily perplexed for all eternity. The characters live in a world of irony. They are lost in a continuum of memory loss without even realizing that they are losing their minds. Considering they don’t realize, they have no recollection of what has been going on around them and therefore not knowing what their purpose is in being where they are. This constant back and forth concept is for one, ironic because they have no memory of no longer having memory, but it is also mind-boggling. Mrs. Smith says, â€Å"We were expecting them. And we were hungry. Since they didn’t put in an appearance, we were going to start dinner without them. We’ve had nothing to eat all day† (The Bald Soprano 4). Mrs. Smith said she and Mr. Smith were going to eat but they didn’t. The characters can’t even remember what decisions they made and can’t remember to follow them. There is no stable element to guide them along a steady path. In the real world our memories our like our personal book of stories that hold the events that have happened in our lives. It defines us as a person of who we are in the past as well as who we are now. We as humans also interpret things we experience differently and remember things in different ways. Though we rely on our memory and mind quite heavily, who says it is a reliable resource to begin with? Ionesco is pointing towards the idea that our minds can’t possibly do everything for us as well as remember anything and everything we want it to. Unreliability of the memory is a concept that Ionesco wants us to take a look at, and that is a natural human failure that is part of our absurdity. As seen in The Bald Soprano the mind isn’t always a dependable tool that is conducive to everyday living. Our experiences make up our life’s journey and define our being. Ionesco’s characters do not know who they are and their purpose for living. At the end of the play the two couples switch places. The Smiths become the Martins and the Martins the Smiths. This results â€Å"in a da capo conclusion [with] the words that had been spoken by the Smiths at the beginning of the play [are now being spoken by the Martins]† (Knowlson). It’s ironic how they repeat the story but as different people but with the same name, because what is the purpose of having a name and being somebody if anyone can be anyone? Ionesco brings out inconsistency, which is a major factor in the play and possibly a factor in our lives. Without consistency the lives in which we lead would lack substance and meaning. Ionesco suggests the idea of a normal daily schedule in which a human being can follow and keep order is a necessity. The human condition may seem absurd at times because what really is the point in doing the same thing everyday for as long as we live? The answer is, the consistency in the constant never ending cycle is life, which is why we are living. There may be nonsense in the play but somehow it leads to sense. The ironic statements due to memory loss show the absurdity in which humans possess. Mr. Smith is one who can be categorized as so. Without his memory he puts out ironic phrases without even putting thought to it and this leads to a lack of sentence structure. The play is made up of dialogue that sometimes seems to lack a sense of logic. The language in the play decreases in substance as the play progresses. The â€Å"language flows independently from meaning† (Feal). The words are not communicating what they seem to say but rather the underlying meaning, which is found in the way the language is used or how really how it is informally used. Language and meaning march to the beat of a different drum. The words are separate entities that work independently yet together to convey Ionesco’s view on language, which is that it is made out to be more than what it is really worth. Language is used as a communicator and the order, or lack of it, in which words are placed, conveys a message of pure insanity. The characters â€Å"actions contradict words, and [their] words contradict [their] actions. Even the title is misleading, since there is no bald soprano in the play† (Esteban). Ionesco writes where there is meaning in no meaning, so he probably intended on writing with meaning all along. The characters talk just to talk and they really have nothing of importance to say. As the play drags on while the structure becomes less and less until dialogue has lost all value and â€Å"made into mere exchange† (Knowlson). The words on the page are out of content and have become particles of matter that are floating in the air. The more they talk, the less they are actually communicating and this is causing the precious tool of language to no longer articulate. Like when Mr. Smith states â€Å"The pope elopes! The pope’s got no horoscope. The horoscope’s bespoke† (The Bald Soprano 17). The play starts out with sentences that make no sense at all then it breaks down to just words without meaning until finally all that is left is a bunch of frenzied sounds. The characters have gotten quite angry that they lost all ability to communicate that their chatter swells up into mushy sound. They live in a never-ending cycle of insignificant discourse. This is Ionesco pointing out the absurdity of how humans converse. The Bald Soprano is a piece under the genre of the Absurd. It is very easy to see why. In this genre a common aspect is that the characters are rapt in an endlessly repeating cycle. This cycle usually leads nowhere as it is a cycle with no beginning and no end. Ionesco uses this cycle to emulate life. Life is filled with a bunch of meaningless things that fill our everyday lives. Banana. When something is of meaning we know because we have experienced the everyday typical life of a human. Broadway. Dreams. Goals. That’s what we are. Well that’s what we should be. Life is pretty much repeating. Repeating. Repeating. Repeating. We have a set way of doing things and we follow it. We repeat these actions to fill up our lives with substance so that there is at least something there to start with and so that we have the ability to move forward and continue. Think of it as muscles. Muscles give our body substance to stand up and it is what allows us to move as well as other necessary functions. In our world we use a clock to stay in touch with time. Time. Timing. Bad timing. Time is a fundamental concept that guides humans through life, gives structure, as well as ages and heals. We also say funny things sometimes and we do use a language to communicate. It is how we use all these things that matters. Bald Soprano Research Paper Now these people with no concrete definition to their being are to live in this gigantic world to the best of their ability. Their lives aren’t normal ones. Ionesco brings out the absurdity in his characters by excluding any solid foundation or motivation for living on earth. One very important form of guidance on life’s journey is Time. If there was no concept of time then all chaos would ensue and no one would know when anything is to be done. It is also a key factor to know how to live and work alongside time: to work with it, not against it. Will they be able to live in some sense of normality or will they be off on their own supernova to be absurd for evermore. Through the use of symbolism, irony and dialogue, Eugene Ionesco’s, The Bald Soprano conveys the idea that life is a never-ending cycle to express the absurdity of the human condition. The cycle of life is symbolized through the clock to reveal that the characters are stuck in an endless loop of time. The clock seems to take on a life all its own. It seems to decide when it wants to ring and how many times. The clock rings in a way that is quite shocking to the audience. This is because in the real world a clock does not normally ring 17 times. Nor is it normal for it to shoot out random times that don’t even go in order. In only one moment â€Å" The clock strikes seven times. Silence. The clock strikes three times. Silence† (The Bald Soprano 2). There seems to be no set regimen for time to follow. Time in the play is unorganized and almost absent in its common purpose. In no possible way could these characters even have the smallest possible chance of some normal routine when they have no constant to guide them through. Yes, Time is present but it is not the way in which we calculate it. There is no repeating pattern in this aspect and yet it still proceeds on which causes an endless loop of lunacy from which they cannot escape. The peculiar thing about it is the characters are not even finding it odd, as this is their notion of normalcy. In the play â€Å"the abnormal is treated as if it were thoroughly normal† (knowlson). And its funny because they don’t even realize that it never rings the same way or goes in a repeating pattern. The clock is random. It intrudes illogically. There is no logic in the Smith’s lives. The concept of reality is being distorted and no ounce of sense remains. The characters are flat, broad and general, which clearly emphasizes the absurdity of the human condition: trying to find a meaning and purpose to life. Even the primary characters last name, which is Smith, is so plain and typical. The plays cyclical structure accentuates repetition of the illogical happenings in the incompatible world in which the Smiths, Martins, the Maid and the Fire Chief live in. The play includes a â€Å"circular trajectory that ends where it began† (Kraus), thus causing the whole disordered cycle to start over and where the characters are involuntarily perplexed for all eternity. The characters live in a world of irony. They are lost in a continuum of memory loss without even realizing that they are losing their minds. Considering they don’t realize, they have no recollection of what has been going on around them and therefore not knowing what their purpose is in being where they are. This constant back and forth concept is for one, ironic because they have no memory of no longer having memory, but it is also mind-boggling. Mrs. Smith says, â€Å"We were expecting them. And we were hungry. Since they didn’t put in an appearance, we were going to start dinner without them. We’ve had nothing to eat all day† (The Bald Soprano 4). Mrs. Smith said she and Mr. Smith were going to eat but they didn’t. The characters can’t even remember what decisions they made and can’t remember to follow them. There is no stable element to guide them along a steady path. In the real world our memories our like our personal book of stories that hold the events that have happened in our lives. It defines us as a person of who we are in the past as well as who we are now. We as humans also interpret things we experience differently and remember things in different ways. Though we rely on our memory and mind quite heavily, who says it is a reliable resource to begin with? Ionesco is pointing towards the idea that our minds can’t possibly do everything for us as well as remember anything and everything we want it to. Unreliability of the memory is a concept that Ionesco wants us to take a look at, and that is a natural human failure that is part of our absurdity. As seen in The Bald Soprano the mind isn’t always a dependable tool that is conducive to everyday living. Our experiences make up our life’s journey and define our being. Ionesco’s characters do not know who they are and their purpose for living. At the end of the play the two couples switch places. The Smiths become the Martins and the Martins the Smiths. This results â€Å"in a da capo conclusion [with] the words that had been spoken by the Smiths at the beginning of the play [are now being spoken by the Martins]† (Knowlson). It’s ironic how they repeat the story but as different people but with the same name, because what is the purpose of having a name and being somebody if anyone can be anyone? Ionesco brings out inconsistency, which is a major factor in the play and possibly a factor in our lives. Without consistency the lives in which we lead would lack substance and meaning. Ionesco suggests the idea of a normal daily schedule in which a human being can follow and keep order is a necessity. The human condition may seem absurd at times because what really is the point in doing the same thing everyday for as long as we live? The answer is, the consistency in the constant never ending cycle is life, which is why we are living. There may be nonsense in the play but somehow it leads to sense. The ironic statements due to memory loss show the absurdity in which humans possess. Mr. Smith is one who can be categorized as so. Without his memory he puts out ironic phrases without even putting thought to it and this leads to a lack of sentence structure. The play is made up of dialogue that sometimes seems to lack a sense of logic. The language in the play decreases in substance as the play progresses. The â€Å"language flows independently from meaning† (Feal). The words are not communicating what they seem to say but rather the underlying meaning, which is found in the way the language is used or how really how it is informally used. Language and meaning march to the beat of a different drum. The words are separate entities that work independently yet together to convey Ionesco’s view on language, which is that it is made out to be more than what it is really worth. Language is used as a communicator and the order, or lack of it, in which words are placed, conveys a message of pure insanity. The characters â€Å"actions contradict words, and [their] words contradict [their] actions. Even the title is misleading, since there is no bald soprano in the play† (Esteban). Ionesco writes where there is meaning in no meaning, so he probably intended on writing with meaning all along. The characters talk just to talk and they really have nothing of importance to say. As the play drags on while the structure becomes less and less until dialogue has lost all value and â€Å"made into mere exchange† (Knowlson). The words on the page are out of content and have become particles of matter that are floating in the air. The more they talk, the less they are actually communicating and this is causing the precious tool of language to no longer articulate. Like when Mr. Smith states â€Å"The pope elopes! The pope’s got no horoscope. The horoscope’s bespoke† (The Bald Soprano 17). The play starts out with sentences that make no sense at all then it breaks down to just words without meaning until finally all that is left is a bunch of frenzied sounds. The characters have gotten quite angry that they lost all ability to communicate that their chatter swells up into mushy sound. They live in a never-ending cycle of insignificant discourse. This is Ionesco pointing out the absurdity of how humans converse. The Bald Soprano is a piece under the genre of the Absurd. It is very easy to see why. In this genre a common aspect is that the characters are rapt in an endlessly repeating cycle. This cycle usually leads nowhere as it is a cycle with no beginning and no end. Ionesco uses this cycle to emulate life. Life is filled with a bunch of meaningless things that fill our everyday lives. Banana. When something is of meaning we know because we have experienced the everyday typical life of a human. Broadway. Dreams. Goals. That’s what we are. Well that’s what we should be. Life is pretty much repeating. Repeating. Repeating. Repeating. We have a set way of doing things and we follow it. We repeat these actions to fill up our lives with substance so that there is at least something there to start with and so that we have the ability to move forward and continue. Think of it as muscles. Muscles give our body substance to stand up and it is what allows us to move as well as other necessary functions. In our world we use a clock to stay in touch with time. Time. Timing. Bad timing. Time is a fundamental concept that guides humans through life, gives structure, as well as ages and heals. We also say funny things sometimes and we do use a language to communicate. It is how we use all these things that matters.

Reflections on the Toyota Debacle + When Theres No Such Thing as Too Article

Reflections on the Toyota Debacle + When Theres No Such Thing as Too Much Information - Article Example lity products developed, acceleration pedals that stuck on the loose floor mats and the sticky pedal materials after exposure to moisture and friction (Cusumano 34). Answer: In my opinion, Toyota was not comfortable with its success. This was because; the company kept on trying to rise far above its competitors. Another thing was the company was keen to give customers the best quality especially after the many complains. A comfortable company could have just sat and continue production without minding the many companies made. Answer: Several things have surprised me about the article. One, the author seems to be so keen on every aspect of Toyota Company as far as automobiles are concerned. Two, another surprise is on how Toyota has managed to remain in the top of the auto industry even after being the company with the most defects detected. Answer: Blockbuster Video rental chain has been a thriving company until the introduction of technology. Majority of the people now are able to access online videos, which has reduced the customers flow to the rental shops. Answer: Pillsbury is a food production company. Due to its growing global market share the business has a growing information need for both its customers and its employees. It now uses StatServer to convey customized data, analysis and educate employees on their desktops (Tibco 1).The tool has enhanced the company’s productivity by allowing employees to upgrade individual desktop data analysis tools. Apex industries deal with plastic fabrications. It employees comprise of a team of engineers, artisans, and project managers. To continue providing high quality products and services to their customers, the company uses a refined ERP system (Localdirectory 1). This has enabled them earn a high customer satisfaction and employee efficiency in

Accounting and finance for Managers Essay Example | Topics and Well Written Essays - 1500 words

Accounting and finance for Managers - Essay Example Capital structure decisions are significant as they determine the company’s profitability and financial flexibility. Therefore, while forming capital structure plans, the financial decision maker must consider the nature of business, external & internal conditions, economic conditions and the future plan of a company. This paper will attempt to analyse the capital structure policies of a public company (listed on stock exchange) along with the merits and demerits of capital structure. The primary focus of this paper will be to evaluate the capital structure policies of the company in context of relevant capital structure theories. The initial sections will have a brief discussion on various capital structure theories. This will be followed by a brief overview of the selected public company so as to understand its nature of business and the prevailing capital structure policy of the company. The overall findings of the project will be discussed in the concluding section. Designing the capital structure of a public company is very much crucial as it helps to reduce financial risk. Besides, the financial managers have to keep redesigning the company’s capital structure for maintaining proper leverage. Gerestonbeg has defined capital structure of a company as â€Å"the composition or make-up of its capitalization† that includes â€Å"all long-term capital resources i.e. loans, reserves, shares and bonds† (Patra, 2006, p.237). Many scholars have developed various capital structure theories for trading off between the owned capital and loaned capital. Some of popular theories of capital structure are trade off theory, pecking order theory, agency cost theory and Modigliani & Miller theory. Out of these theories, Modigliani & Miller theory is the most important and widely accepted capital structure theory. In order to trade off between costs and benefit of debts, the financial managers must choose the optimum level of capital structur e. The cost of capital

It’s Time to Tell the True History of Texas :: Personal Narrative

It’s Time to Tell the True History of Texas When the Bob Bullock Texas State History museum opened in March 2001, it advertised itself as â€Å"The Story of Texas.† It still calls itself the story of Texas in letters chiseled into the top of the building, on its Web site, on signs directing visitors to the museum, and even on the refrigerator magnets you can buy in the gift shop. When I first saw the slogan, I wondered how there could be â€Å"the† story of Texas, since Texas has been culturally diverse throughout its history as a part of Mexico that became a separate nation and later a state. Shortly Texas will have no one group as a majority. I grew up in the Rio Grande Valley, where the great majority of the population, like me, is Mexican American. How was this new museum going to present my story? I had to go and find out.   Ã‚  Ã‚  Ã‚  Ã‚  When I first walked into the lobby, I noticed the large mosaic on the floor but I couldn’t figure out what it depicted. I just saw a campfire and a bunch of wiggly figures. Someone next to me told their kids that they’d be able to see the entire mosaic from the third floor. I decided to wait and do the same.   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  The first exhibit I saw was the â€Å"It Ain’t Braggin’ if it’s True† (one of my friends told me I had to see the shrine to Lance Armstrong and the rhinestone car). The name of the exhibit didn’t make much sense to me though; aren’t all museum exhibits, especially ones about history, supposed to be true? The big banner in the middle of the room didn’t help much either. It simply said â€Å"Vision† and had a quote about how only those with great vision can see opportunity where others see empty space. Maybe those who have this type of vision get the braggin’ rights?   Ã‚  Ã‚  Ã‚  Ã‚  Texas was never a big empty space. The Spaniards and later the French who came here discovered cultures that were centuries old. But history, and the museum itself, begins with European colonization. The history of Texas, one of the signs says, was shaped by the way the different groups of people who came to Texas responded to the land and to each other. So land, and interaction between different groups of people, would be used a lot in the telling of this story of Texas, I assumed.

Walking Alone – Original Writing

Dew clings to the harsh pale grass. The cool droplets of water stick to my bare legs as I brush past, silently, stealthily. Where am I going? It'll come back to me in a moment. I'll just follow my instinct. Right, if I'm automatically taking this direction to Wherever, then this is the right way. Wearing my jacket was a good idea. I had to rummage to find it. I can't remember the last time I wore it. I can't even remember when I was last out of town for a weekend. That would be nice; a weekend out with a few friends- not that I'd ask. They'd probably be busy anyway. Ok, I cannot get distracted. I shall walk on. Left, right, left, right. I'm starting to enjoy this monotony. Yes, this is rather pleasant, rather agreeable. I look around for some sort of landmark, or something to help me recognise where I am. I won't admit to being lost because that would call into the question of my destination, which, to be honest, is still unbeknownst to me. I'll just meander along this way. God, I'm knackered, I could use a chocolate bar. Yes, a chocolate bar is what I need, along with a nice drink. But not until I get there, I must keep on going. Oh, a house. It's a tall looming house, with ivy crawling over it, its brambles resembling long green tendrils, or fingers, curling crispy and brown at the tips. What's that scuttling across the front porch? A grubby, greasy blur darts past. I lean forward as if to grab it, but it's gone before I'm even close. I force myself upwards, and see a door in front of me. The faded red paint is flaking. I reach my hand towards it and absentmindedly begin to peel it back. I wonder why I've never seen this house before. I wonder why I haven't seen any of this area before whatsoever. A chill overcomes me, engulfing me in a stuttering shudder. It's cold, and late. It must be gone five in the morning by now. Oh well. A bleak throng of clouds tumble over the night's sky, devouring any lingering traces of warmth. I pull my jacket tighter around me and shiver again, glancing around, praying, pleading, for some form of refuge. The house is not an option, it's someone's home. I can't break in. Not now, anyway. I trudge towards a large wooden gate. I thwack it open, shocking myself as I do so. An ear-piercing screech of pain comes from the gate, like a toddler protesting against eating the remnants of her cereal. I guess my thwacking skills aren't quite up to par, the gate's stuck. What now? Onwards again? Alright, I'll stomp my feel around a bit to restore some warmth to my pathetic shell of a body. That's better, slightly. Argh, my eyes! Some plonker has his headlights on full and he's facing me head-on. Perhaps I should step out the way. Oh, he's slowing down. My rescuer, maybe? That would be nice†¦ What the hell do you think you were doing, standing in the middle of the road at this ungodly hour? † â€Å"I see spots†¦. † I whimper. The man's face is weathered and tired. It reminds me of Father Christmas, now he's a lovely bloke. A dreamy smile is wafting onto my face. The man looks at me as if I'm deranged and creepy, and then accelerates off into the night. I'm shivering. I am literally shivering. I desperately need shelter before I get pneumonia. That house. That old, ruinous house. I turn around, stumbling over a rock. There it is, standing tall and imposing, yet strangely familiar. Whoever owns it has made a hapless attempt at remodelling it, adding a modern extension and painting the wall. Well, some of it at least. The path has deep, cavernous cracks and so I have to be careful not to cut my bare feet on the fragments. A desolate flowerbox hangs by a window, the flowers long dead. I examine it closer, noting the what-used-to-be-dark-green-but-is-now-discoloured-pale-turquoise crusty paint on the criss-crossed wood. Again, I feel a faint wave of familiarity- like an echo from the past. With a shudder I glance around fleetingly for a side entrance. A swing. An old, plastic-y swing, with faded yellow rope, neglected and left to rot in the grass for the next millennia. A child's laughter, my laughter. A hot summer morning: we were having a barbeque. I swung on this swing. I lived in this house. The memories come flooding, hitting me with a wave of nausea. I look up at the house, my house, my poor, poor house. Mutilated, derelict, left piteously to ruin. It's ugly, horrific. My once beautiful house is looking like a dump. This grass was once green, and this porch was once magnificently up kept. Memories. I now know why I didn't recognise it at first. All those memories, those awful memories, blocked out for all these years. I clutch my head and keel over, onto the callous ground. There is an immense pressure on my head. Bottled up for all these years, it's finally unleashed on me again. I convulse and vomit, thus further disfiguring the house. Another sharp burst of pain in my side. I'm in agony, reliving the past. I'm dying. I'm dying at the place of my birth; whoever came up with the Circle of Life must be smug. I convulse one more time and pass out, my head in a fug of trapped memories, waiting to be recollected.

How to Write a Top Presidential Speech

How to Write a Presidential Speech

How Literacy Is Used As A Communication Method - 1527 Words

When it comes to understanding literacy I learned that reading, along with writing is used as a communication method. However, there s so much more to it than just obtaining the knowledge of knowing how to read and write. It all truly depends on the way you use your skills in literature. Literacy is different to each and every person, depending on who they are as a person. It can consist of your culture, pronunciation, the way you dress, as well as all of your actions. That being said, personally literature means not only knowing how to read and write, but the way we approach it as an individual. For example, we are judged by the way we speak, look, act, where we come from, as well as how we were raised. Which is all†¦show more content†¦Although I love her deeply, the way she spoke always bothered me as a child. My sister always spoke proper english is what I will not call it, but politely and she understood how to express herself and speak her mind in a polite manner. I wa s taught manners by my parents, greetings were something you could not just pass by. â€Å"good morning† was to be said every morning to everyone in the house along with a kiss otherwise it was a form of disrespect. A hug was followed with every goodbye. Even though you could have been upset with a family member you were required to forgive them and let the past stay in the past. Mainly because you never know if you are going to see them tomorrow, living with regret is something no one wants. My father always told me, since I was always a stubborn child, forgiveness is not for the other person it is for you. At that moment I realized he was right, the only person I was hurting all along was myself. Nevertheless, I have had a time where I had to teach myself something that not only had disadvantages but some advantages as well. Learning how to think before I spoke, Speaking your mind and the truths was always something I believed in. However, I never realized that sometimes yo u have to think about the consequences about your statement. Some days you have to tell people what they want to hear, not the truth, but yes, in some occasions you have to speak your truths for the better of